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May 11, 2025

Formula 1 Driver Felice Bonetto Drifting (While Smoking a Cigarette) at the Wheel of a Cisitalia, Mantova, Italy, 1948

Felice Bonetto (June 9, 1903 – November 21, 1953) was a courageous Italian racer who earned the nickname Il Pirata (The Pirate). He came to the attention of Italian racers in the 1930s and internationally in the 1940s, enjoying success at the Mille Miglia, and grand prix successes driving a Ferrari and a Cisitilia.


During his Formula 1 career, Il Pirata raced Italian cars, starting with a privateer Maserati team, then the factory Alfa Romeo team and finally with the factory Maserati team and achieved two shared podiums.

Bonetto’s greatest successes were in sports cars, including a win at the Targa Florio in 1952, but sadly his career was cut short when he hit his head on the balcony of a house in the 1953 Carrera Panamericana.

Vintage Portraits of 1960s and ’70s Celebrities by Steve Schapiro

Steve Schapiro (1934–2022) was an American photographer known for his powerful photojournalism and iconic movie stills. He documented key moments in the civil rights movement, including the March on Washington and the Selma marches, capturing figures like Martin Luther King Jr.

Schapiro’s work also extended to Hollywood, photographing behind the scenes of films like The Godfather and Taxi Driver. His portraits of cultural icons such as David Bowie and Andy Warhol became legendary. His photographs are held in major museum collections and continue to influence both art and journalism today.

These vintage photos are part of Steve Schapiro’s portrait work featuring celebrities from the 1960s and 1970s.

Françoise Hardy, photo by Steve Schapiro, 1964

Françoise Hardy, photo by Steve Schapiro, 1964

Model and singer Nico at the Artkraft Strauss billboard factory, photo by Steve Schapiro, 1965

Warhol entourage, Henry Geldzahler, Edie Sedgwick, Andy Warhol and Gerard Malanga, photo by Steve Schapiro, New York City, 1965

Warhol entourage, Henry Geldzahler, Edie Sedgwick, Andy Warhol and Gerard Malanga, photo by Steve Schapiro, New York City, 1965

Patti Smith Posing With the Lightning Bolt Tattoo That Vali Myers Gave Her

Patti Smith showing the lightning bolt tattoo “dedicated to Crazy Horse” that Vali Myers did for her in the Chelsea Hotel.

“Vali’s an Italian beatnik-witch and she was a big hero of mine when I was 14,” Patti Smith said of Vali Myers. “She lived on the left bank, the supreme beatnik chick—thick red hair and big black eyes, black boatneck sweaters, and trench coats. Before Edie Sedgwick, she was my heroine. I had pictures of her all over my walls. I never considered her as a real person. Then I was confronted with the real girl, and I thought, ‘oh man, what am I gonna do,’ cause I had dealt with the image so long. She came over to me and we played all these, not really lesbian games, but like flirting with a boy in high school. When she tattooed me, it was painful. It looks like a little lightning bolt. My photos had become real, and I had to deal with that as a reality. It was a great turning point in my life, it had come full circle.”


“I decided I wanted a similar tattoo. I was sitting in the lobby drawing versions of lightning bolts in my notebook when a singular woman entered. She had wild red hair, a live fox on her shoulder, and her face was covered with delicate tattoos. I realized that if one erased the tattoos, they would reveal the face of Vali, the girl on the cover of Love on the Left Bank. Her picture had long ago found a place on my wall.

“I asked her outright if she would tattoo my knee. She stared at me and nodded in assent, not saying anything. In the next few days we arranged that she would tattoo my knee in Sandy Daley’s room, and that Sandy would film it, just as she had filmed Robert getting his nipple pierced, as if it were my turn to be initiated.

“I wanted to go alone, but Sam wanted to be there. Vali’s technique was primitive, a large sewing needle which she sucked in her mouth, a candle, and a well of indigo ink. I had resolved to be stoic, and sat quietly as she stabbed the lightning bolt into my knee. When it was over, Sam asked her to tattoo his left hand. She repeatedly pierced the web of skin between his thumb and forefinger until a crescent moon appeared.”
Patti Smith on getting tattooed by Vali Myers at the Chelsea Hotel.




May 10, 2025

Audrey Hepburn and Fred Astaire in Promotional Photographs for “Funny Face” (1957)

Audrey Hepburn and Fred Astaire’s collaboration in Funny Face (1957) remains one of the most iconic moments in cinematic history. The film, a delightful musical directed by Stanley Donen, brought together two of Hollywood’s most beloved stars during a golden era of cinema. Audrey, known for her timeless elegance and grace, played the lead role of Jo Stockton, a shy bookstore clerk turned fashion model. Fred Astaire, a legendary dancer and actor, portrayed the role of a suave fashion photographer, Dick Avery. Their on-screen chemistry was palpable, capturing the essence of post-war Hollywood glamour and innovation.

Funny Face is not just a musical; it’s a celebration of fashion, dance, and the era's cultural shifts. The film features the work of the famous fashion designer Hubert de Givenchy, whose partnership with Audrey Hepburn made her a global style icon. Hepburn’s costume choices in the film showcased the elegance of mid-20th-century fashion, blending chic sophistication with modern, playful styles. The musical numbers, particularly “Think Pink!” and “How Long Has This Been Going On?” were crafted with Astaire’s impeccable dance moves, elevating the movie’s appeal. Hepburn and Astaire, both legends in their own right, created a partnership that blended grace and energy in every scene.

Released in 1957, Funny Face stands as a testament to the lasting influence of its stars and the creativity of its filmmakers. Hepburn’s portrayal of Jo Stockton is often regarded as one of her most iconic roles, a beautiful fusion of her acting talents and natural charm. Astaire, nearing the end of his career at the time, continued to demonstrate his unparalleled dancing skills, making the film a memorable milestone in his legacy. Together, they created a film that encapsulates the joy, optimism, and artistic ambition of 1950s Hollywood.






30 Gorgeous Photos of Yvette Mimieux From the 1960s

During the 1960s, Yvette Mimieux became a prominent Hollywood actress known for her ethereal beauty and emotionally sensitive roles. She rose to fame with The Time Machine (1960) and Where the Boys Are (1960), often portraying gentle, vulnerable women navigating love, identity, and societal expectations.

Throughout the decade, Mimieux starred in films like Light in the Piazza (1962) and Diamond Head (1963), and gradually sought more control over her career, frustrated by the limited roles offered to women. Her work reflected both the glamor and quiet complexity of the era.

In addition to her acting, Mimieux was known for her intelligence and independence in an industry that often typecast women. She eventually moved away from acting in the late 1980s and pursued interests in writing and anthropology. Take a look at these gorgeous photos to see the beauty of a young Yvette Mimieux from the 1960s.






The Hunter Brothers Checking the Engine During Their 23-Day Non-Stop Flight, 1930

In 1930, the Hunter brothers embarked on an incredible journey, flying nonstop for 23 days. During this epic flight, they meticulously examined their plane’s engine mid-air to ensure smooth operation. This daring feat showcased their exceptional skill and determination, setting an aviation milestone and inspiring future generations of pilots.




A significant turning point in aviation history occurred with Charles Lindbergh’s famous flight in 1927 when he became the first man to fly solo across the Atlantic. This event inspired many to pursue new records in the sky, including the challenge of the longest flight without landing. The Hunters, a family of six siblings born in Illinois, became key figures in this quest.

Albert, Mabel, Irene, John, Walter, and Kenneth Hunter grew up in Six Mile Prairie, Illinois. After the death of their father in an accident, the siblings had to adapt and work to support their family. Their aviation adventure began in 1924 when they purchased a J-1 Army plane and learned to fly. Soon, they became a popular airshow act known as “The Hunter Flying Circus,” performing stunts and giving exhibition flights at local fairs.

In 1929, the Hunter brothers attempted to set a record for non-stop flight. They took off in a Stinson SM-1 Detroiter called Chicago We Will and flew for 11 days (264 hours) before being forced to land due to adverse weather conditions. However, this setback did not discourage them; they were determined to try again.

With renewed determination, on June 11, 1930, John and Kenneth Hunter took off from Sky Harbor Airport in Northbrook, Illinois, in a Stinson SM-1 Detroiter renamed City of Chicago. Their goal: to surpass the record set by Dale Jackson and Forrest O'Brine, which was 17 days and more than 12 hours in the air. The Hunters, along with their brothers Albert and Walter, who handled refueling, meticulously prepared for the attempt. They removed unnecessary seats to create space and reduce weight.

The logistics of refueling were crucial, as Albert and Walter flew the Big Ben to supply fuel and other essentials to their brothers in flight. Initially, refueling between the Big Ben and the record-attempting plane occurred every six hours, but after a week in the air, it was done every three hours due to a leak in one of the City of Chicago’s fuel tanks.


At various times, both John and Kenneth would leave the cockpit and slide along a support fixed to the fuselage, from the cabin to the nose of the plane, to change spark plugs, refill oil, or even adjust the engine bolts.

The Hunters’ flight became a media spectacle, attracting thousands of spectators to Sky Harbor Airport. Communication between the planes was done through written notes, and the Hunter family supported the brothers unconditionally in their feat. While John and Kenneth navigated the air, their mother and sister prepared meals and kept a steady supply of clean clothes. As they neared the record, tension and excitement grew. Mechanical issues began to arise, and refueling increased from every six hours to every three due to fuel leaks. However, the Hunter brothers' determination never wavered.

Finally, on June 29, 1930, the City of Chicago surpassed the endurance record. John, in command, made a low flyby over the airport while Kenneth waved to an enthusiastic crowd of 75,000 people. Four days later, on July 4, they landed after having been in the air for 553 hours, 41 minutes, and 30 seconds—23 full days—setting a new world record for non-stop flight.

(via Europair)

Olga Wisinger-Florian: Beautiful Paintings From the Late 19th to the Early 20th Century

Olga Wisinger-Florian (1844–1926) was an Austrian Impressionist painter renowned for her vivid depictions of nature, particularly flowers and landscapes. Born in Vienna, she initially trained as a pianist under Julius Epstein but shifted to painting in her late twenties, studying under August Schaeffer and later Emil Jakob Schindler.

Her early works were characterized by meticulous realism, focusing on cultivated nature such as gardens and parks. By the late 1880s, she embraced a more dynamic style, influenced by Impressionism and characterized by bold colors and expressive brushwork. This evolution marked her as a significant figure in Austrian Mood Impressionism.

Wisinger-Florian’s works gained international acclaim, with exhibitions at the 1893 World’s Columbian Exposition in Chicago, the 1900 Exposition Universelle in Paris, and the 1904 Louisiana Purchase Exposition in St. Louis. Her clientele included notable figures such as Emperor Franz Joseph I, Archduke Karl Ludwig, and the Rothschild family.

Beyond her artistic achievements, she was active in social and political circles, supporting women’s rights and contributing to peace movements. In 1910, she withdrew from public life due to health issues and spent her final years in Grafenegg, where she passed away in 1926.

Here is a collection of beautiful paintings by Olga Wisinger-Florian from the late 19th to the early 20th century.

Falling Leaves

Falling Leaves

At the House Wall

At the Pond Behind the House

Autumn Evening




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